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STATEMENT
Elena
Allen’s mountainscapes, oceanscapes, cityscapes, roadscapes
are suffused with the light and vibrant colors of southern California
where she has lived for 38 years, though they speak to insistent
but suppressed memories and images of earlier times and places that
still haunt her sense of life on this Pacific coast. She is intrigued
by the psychological layering that governs what she sees as a kind
of meditative painting, and that is always at work deconstructing
the rooftops, troubling the perspective points, establishing odd,
unpredictable demarcations and boundaries. To her, unpeopled, or
barely peopled, paintings are haunted in the sense that she feels
constantly intrigued and challenged by the notion of painting away
spirits, painting exorcistically, expelling certain images and invoking
others, however playfully. She revisions Santa Monica and its rugged
surrounding mountains by reshaping visual fields and by focusing
on hard-edges and the juxtaposition of planes in search of surreal
or magically real effects.
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